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The documentary film MS. HU'S GARDEN, which won the Best Documentary award at the Golden Goblet Awards in June, is now officially selected for the Wide Angle – Documentary Competition at the 29th Busan International Film Festival, earning another opportunity to connect with international audiences.
The poster for MS. HU'S GARDEN
MS. HU'S GARDEN tells the story of an insignificant individual – Ms. Hu - navigating life amidst rapid societal development and changes. Director Pan Zhiqi dedicated nearly a decade to tracking and documenting her life, reflecting the spiritual world and resilience of mother and son. “As we pursue this narrative, Ms. Hu's story becomes a reflection of our own inner experiences. Everyone needs a space for spiritual refuge,” Pan notes.
The film premiered at the 26th Shanghai International Film Festival in June, where it was nominated for the Golden Goblet Awards in the documentary category, ultimately winning the award for Best Documentary. The jury described the film as “a joyous viewing experience that reveals an unfamiliar world and deepens our understanding of the world around us”.
Director Pan Zhiqi and producer Chen Lingzhen attended the winners' press conference at the Golden Goblet Awards
MS. HU'S GARDEN screened three times at the Busan International Film Festival on October 7, 8, and 10, achieving an impressive attendance rate of 90%. Director Pan Zhiqi, artistic advisor and vice president of Communication University of Zhejiang Yao Zheng, and producer and co-founder and CEO of CNEX Chen Lingzhen participated in post-screening discussions.
When asked about the decade-long filming and production process and how he managed to plan and curate such a poignant and impactful film from a vast amount of footage, Pan Zhiqi shared insights into his creative journey and insights as well as his working style and filming schedule. He emphasized that MS. HU'S GARDEN is an example of non-industrialized production rooted in personal methods, involving a process from discovery to waiting, construction, and even reorientation in topic research and filming. During the editing phase, the team discussed and refined every detail on a nonscheduled basis to ensure that the narrative resonates with the audience.
Regarding the film's market release, an audience member inquired about balancing artistry with commercial values for creative sustainability. Yao Zheng discussed the current state and production mechanism of artistic films and auteur documentaries in China, addressing the social responsibilities, historical value, and the mutual promotion of documentary education and creation within academia to underscore the long-term significance of MS. HU'S GARDEN in the current market environment and cultural context.
Educators and students in film and television education were also curious about how students select topics and subjects for documentary projects. Chen Lingzhen, drawing on her extensive production experience, emphasized that student filmmakers should start from their own lives, choosing familiar or interesting areas, remaining grounded in reality and expressing themselves boldly.
With its selection for the Busan International Film Festival, MS. HU'S GARDEN embarks on another international journey. Following the screenings, the audience was deeply moved by the emotional world and real-life experiences of Ms. Hu and her son Shaobin, while also impressed by the unique imagery of the mountainous city of Chongqing.